Director in Los Angeles, raised on borrowed cameras and late-night movies.
I made my first film with a borrowed camera and three friends who owed me favors. It was terrible. I watched it forty times anyway.
Twelve years later I direct commercials, documentaries, music videos and short films with a small, loyal crew. We work fast, listen hard and care about every frame.
WHAT I BELIEVE
Every frame should earn its place. If it doesn’t move the story or the heart, it ends up on the editing room floor.Everyframeshouldearnitsplace.Ifitdoesn’tmovethestoryortheheart,itendsupontheeditingroomfloor.
SKILLS
Tools & strengths
Craft2
Directing96%
Cinematography90%
Post3
Editing92%
Color grading88%
Sound design84%
MILESTONES
A short timeline
2025
Award
Best Short Documentary
Pacific Coast Film Festival (fictional)
The Last Ferry.
2024
Recognition
Official selection
Desert Light Film Festival (fictional)
Night Shift (commercial showcase).
2023
Press
Director to watch
Frame & Reel Magazine (fictional)
A profile on small-crew filmmaking.
2022
Milestone
100th production
Studio milestone
Ads, docs, videos and shorts.
0+
Productions
0
Festival selections
0
Core crew
0
Years directing
Example figures for a fictional portfolio.
GOOD TO KNOW
Questions clients ask
3 questions
Four to twelve people. Small crews move fast and make subjects comfortable.
Was this helpful?
Yes — editing, color and sound happen in our own suite.
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Often. Many of our documentaries are shot far from Los Angeles.
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LET’S MAKE A FILM
Have a story worth telling?
Brands, artists, nonprofits and producers — tell me what you’re dreaming of.