Mara draws custom fine-line, botanical and blackwork tattoos.
Once a month we host flash day: twenty pre-drawn small designs, walk-ins only. By nine in the morning there is usually a line curling past the record shop next door, coffee cups in hand, strangers already comparing notes on which design they want. By nine at night the wall is half empty, the floor needs a mop and every artist in the building is tired in the best possible way. It’s our busiest, happiest day, and it is the one I would never give up, no matter how full the custom calendar gets.
If you have been following the studio for a while, you have probably seen the photos of the flash wall. If you have never been in on a flash day, this post is for you. Here is everything you need to know before you come in, from how the numbering system works to what to eat beforehand, plus a little about why a studio known for big blackwork pieces spends one whole day a month on tattoos the size of a postage stamp.
How it works
The short version has not changed since the first one: pick a design from the wall, take a number, get tattooed the same day. That is the whole idea. No consultation, no deposit, no waiting three months for a slot. You walk in, you choose, you leave with fresh ink.
The longer version has a few more details, and knowing them will make your day smoother.
- Doors open at 10 a.m. We start handing out numbers at the front desk as soon as we unlock. One number per person, and you have to be there in person to get one.
- Choose from the wall. Every design is drawn by one of our artists and pinned up with a small card showing the size, the price and which artist will tattoo it.
- Fill out the form. You will need a valid photo ID showing you are 18 or older. We do not tattoo minors, even with a parent present.
- Wait for your number. We text you when you are about thirty minutes out, so you can grab lunch or browse the shops on the block.
- Get tattooed. Most flash pieces take between twenty minutes and an hour, depending on the design and the placement.
Each design is a set price that includes everything, so there are no surprises at the counter. This month the smallest pieces start at $80 and the largest top out at $180. We take cards and cash, and tips go straight to your artist.

What is on the wall
Twenty designs might not sound like a lot, but each one is drawn fresh for that month, and they rarely come back. We try to keep a balance so there is something for everyone, whether you want a delicate line drawing or something bolder that will hold up for decades.
A typical wall includes a few botanical pieces like a single fern, a sprig of lavender or a tiny pine branch. There are always a couple of animals, often a moth, a snake or a small bird. Our fine line artists usually add simple symbols like a crescent moon, a key or an open eye. And there is almost always one funny design that nobody expects to get picked and somehow goes first. Last month it was a tiny fried egg wearing sunglasses. It went before noon.
Repeat designs
Some studios let you get the same flash design as many times as people want. We do it a little differently. Most of our flash is limited to five copies, and a few special pieces are one of one. When a design is gone, we mark it with a black dot so you can see what is still available. It keeps the day fun and gives everyone who walks out the door something that feels a little rare.
Why we do it
The honest answer is that it’s a friendly way to get your first tattoo without a big commitment. A lot of people tell us they have wanted a tattoo for years but felt intimidated. They were not sure what they wanted, they did not want to sit for six hours, or they worried that a custom piece would cost more than they could spend. Flash day takes all of that pressure away.
Every big collection starts with one small tattoo.
Mara
I have seen it happen dozens of times. Someone comes in nervous for a tiny moth on their ankle. A year later they are back with a full sketchbook of ideas for a half sleeve. Flash is where trust starts. You get to meet the artists, see how the studio runs, find out how your skin heals and decide whether you like the whole experience, all for the price of a nice dinner out.
It is good for us too. Custom work is slow and careful by nature. Flash day lets our artists draw whatever they have been daydreaming about, try a new line weight or experiment with a style they do not usually get booked for. Some of the best custom projects in our portfolio started as a flash sheet that a client fell in love with and asked us to expand.

Tips for a great flash day
After many of these days, we have learned what makes the difference between a stressful visit and a relaxed one. Here is what we tell friends who ask.
- Come early if you have your heart set on something. We post the full wall on our social pages the evening before. If one design is calling your name, get here close to opening.
- Have a backup choice. Popular pieces go fast. Pick a second and third favorite so you are not disappointed.
- Eat a real meal. Getting tattooed on an empty stomach is the most common reason people feel lightheaded. Have breakfast and bring a snack.
- Wear the right clothes. If you want a design on your thigh, do not wear skinny jeans. Think about easy access to the spot you have chosen.
- Skip alcohol the night before. It can make you bleed more and makes the whole session harder for you and your artist.
- Be flexible on placement. Your artist may suggest moving a design an inch or two so it sits better with the shape of your body. Trust them, but it is always your decision.
One more thing: we do not do custom changes on flash day. We are happy to resize a design slightly or flip it to face the other way, but if you want to add your pet’s name or change the whole concept, book a regular consultation instead. That way you get the time and attention a custom idea deserves.
Key takeaway: flash day is first come, first inked. Arrive early, bring your ID, eat beforehand and have a backup design in mind.
Aftercare still matters
A small tattoo is still a fresh wound, and how you treat it over the next two weeks has a big effect on how it looks in ten years. Every flash client goes home with our printed aftercare sheet, and your artist will walk you through it before you leave the chair.
The basics are simple. Leave the wrap on for as long as your artist recommends. Wash gently with lukewarm water and a fragrance-free soap. Pat it dry with a clean paper towel. Apply a thin layer of unscented lotion a couple of times a day. Keep it out of pools, hot tubs, lakes and the ocean until it has fully healed, and keep it out of direct sun. Do not pick at flakes or scabs, no matter how itchy it gets.
If you notice anything that worries you, such as spreading redness, heat, swelling that gets worse after a few days or a fever, do not wait it out. Call your doctor. We are always happy to answer questions about healing, but we are tattoo artists, not medical professionals.

See you at the next one
Flash day happens on the first Saturday of every month. We announce the theme and post the full wall the evening before, and we update our stories throughout the day so you can see which designs are still available before you head over. If the line is long when you arrive, do not worry. We keep tattooing until every number we hand out has been called, even if that means the lights stay on a little late.
Bring a friend, bring a snack and bring your sense of adventure. Whether it is your first tattoo or your fortieth, there is something special about choosing a small piece of art off a wall and wearing it home the same afternoon. We will have the coffee on and the needles ready.
Mara draws custom fine-line, botanical and blackwork tattoos.







Thanks for explaining this so clearly.
Great reporting — please keep following this story.